Dragon, released by Gottlieb in 1978, stands as a quintessential artifact of the late-seventies solid-state transition. Designed by the legendary Ed Krynski—a master of the electromechanical era who successfully bridged the gap into the digital age—this fantasy-themed machine captures the high-contrast, mystical aesthetic of the period. With art by Gordon Morison, the playfield is a vibrant, neon-soaked vision of mythical beasts that feels ripped straight from the cover of a pulp fantasy novel, demanding your attention as you step up to the coin door.
The mechanical heart of the machine is defined by its focus on kinetic targets. Eschewing the complex ramp structures of later decades, Krynski opted for a layout centered around two distinct vari-targets and a spinning target, forcing players to master precision shooting rather than relying on flow. The two pop bumpers and solitary slingshot create chaotic, unpredictable orbits that test your reflexes, while the dual-flipper setup requires disciplined ball control to navigate the playfield’s hazards.
Gameplay on Dragon is a test of patience and steady nerves. Because the machine lacks the safety nets of modern ball-saving technology, the primary goal—as any veteran will tell you—is simply keeping the ball in play as long as possible. With over 6,500 units produced, it remains a common but rewarding centerpiece for collectors who appreciate the tactile, raw challenge of early solid-state design. It is a no-frills, high-stakes experience that rewards the player for every second they prevent a drain, making it a perfect example of why the “golden age” of Gottlieb remains so fiercely guarded by enthusiasts today.